EW YORK — Godzilla has been to Tokyo, Hong Kong, Paris, San Francisco, Boston, Moscow, London and Hawaii. But before now, he´s never been to the Oscars.
When the Academy Awards roll around on March 10, Godzilla will stretch its scaly, reptilian legs down the Oscars red carpet for the first time in the franchise’s 70-year history. “Godzilla Minus One,” the 37th film in the film series, is nominated for best visual effects.
Though one of the most potent and long-running (or at least long-stomping) forces in movies, Godzilla has never before rubbed elbows at the Academy Awards.
Its domain has been, well, the Pacific Ocean, but also the more popcorn-chomping realm of moviedom. Laying waste to metropolises has not, typically, been a gateway to Hollywood´s biggest night.
“We knew of the existence of the Oscars, of course, but there was never any kind of link between what was happening on the other side of the world and what we were doing,” Takashi Yamazaki, the writer-director of “Godzilla Minus One said according to AP.” “It´s entirely unexpected that these two worlds collide.”
But “Godzilla Minus One” has proven to be an especially border-breaking phenomenon. And its success at both the Oscars and the box office reflects a deeper shift in moviegoer – and Oscar voter – tastes toward international productions.
“Godzilla Minus One,” the first Toho Godzilla film since 2016´s “Shin Godzilla,” was an unexpected hit when it landed in North American theaters in December.
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